Last week, I was the lucky recipient of some vintage cocktail glasses. They were Karen’s grandparents’ and she remembers seeing her grandfather mixing up a pitcher of Manhattans and drinking out of these. They are tiny…bigger than shot glasses, but not as big as typical modern day glasses. I measured and they are just a tiny bit over three ounces…yep, perfect for a Manhattan.
We hosted a Hasegawa Happy Hour this week and served up Manhattans. They were perfect, very Mad Men. I am excited to have them in my collection. (Thanks, Karen!!)
My first holiday card of the year came from the North Pole!!
My pen pal Ryan must be the most organized holiday card sender ever because not only was his card the first card to arrive in my mailbox, but he sent his to North Pole, Alaska for the special North Pole postmark. As I sit with my holiday cards spread out on the floor, still stuck in the M’s of my address book, I am envious of Ryan’s accomplishment. But extremely happy to be on the receiving end of such a fun mail surprise!
How are your holiday cards coming along?
Update: Here’s an older Letter Writers Alliance blog post with all of the holiday postmark cities. If you are interested in doing this (next year? or as belated wishes this year?) I would contact the PO of interest to make sure it is something they are still doing. And…if you want to get a head start for Valentine’s Day, the LWA has another list for that.
Last Tuesday, Naoto and I went to see Cat Stevens at the Chicago Theater.
You’re probably thinking one of a few things:
A) I thought his name was Yusef now and he gave up on touring in the US over thirty years ago.
B) Who is Cat Stevens?
C) Ohmygoodness! Did he play Peace Train?!
Well, to answer your questions, this is his first US tour since 1976. This explains all you need to know about Cat Stevens. And, yes, he did play Peace Train. I cried.
When I found out he was coming to Chicago (one of six cities on his tour of the US and Canada) I couldn’t wait to buy a ticket. I know it’s not the same as growing up with his music, as most of the audience did but Cat Stevens was a big part of the early days of my relationship with Naoto. We used to listen to his Greatest Hits albums all the time on lazy Sunday mornings. In the days leading up to the concert, I was getting really excited, then it occurred to me that maybe he would only play his new stuff and refuse to play all of the songs that Naoto and I loved. Thankfully, I was able to read about his earlier concerts in Boston and Philadelphia and I was reassured…all of the old, familiar songs with some new ones sprinkled in. Whew!
The concert started a bit late because of the large amounts of security, but when Cat Stevens stepped on the stage, I knew it was going to be worth the wait. He came out to thundering cheers and a standing ovation and quietly started playing. His first song, “The Wind”, brought tears to my eyes. (Actually, I found myself tearing up for a large part of the concert while I sang along quietly with Naoto next to me.) Once the first song was over, people cheered “Where have you been?” and Cat Stevens seemed to take it all in stride. He was definitely a working man during the concert. He didn’t reminisce very much about his early days, only giving brief introductions to his songs, old and new. He reminded us that “The First Cut is the Deepest” was his song before it was covered by Rod Stewart and Sheryl Crow. And while women were screaming “I love you, Cat/Yusef!” he mostly ignored them and got back to the song at hand.
During the concert, Cat Stevens alternated between playing the guitar and the piano and his band was incredible. He played all of the old hits that I could remember at the time, except “Hard-Headed Woman” which was requested via screams from the audience a few times. He said he cleaned up “Another Saturday Night” a bit, though we couldn’t remember the lyrics well enough to figure out where. (I think maybe the part about having two women?) Oh and he switched out the lyrics in “Here Comes My Baby” to say “You’re forever texting on the phone” which got a good laugh from the audience. And his new stuff was really solid…I wish we had listened to his latest albums before the concert, but we didn’t and we still enjoyed the unfamiliar songs. But as usual with someone who has a long career, the audience really connected with him most on his old stuff.
I’m including the set list, borrowed from this Greg Kot review in the Chicago Tribune.
Set 1:
1. The Wind
2. Here Comes My Baby
3. The First Cut Is the Deepest
4. Thinking ‘Bout You
5. Sitting
6. Maybe You’re Right
7. Where Do the Children Play?
8. I Love My Dog
9. I Was Raised in Babylon
10. (Remember the Days of the) Old Schoolyard
11. People Get Ready (Impressions cover)
12. If You Want to Sing Out, Sing Out
Set 2:
13. Big Boss Man (Jimmy Reed cover)
14. Trouble
15. Oh Very Young
16. Dying to Live (Edgar Winter cover)
17. Moonshadow
18. You Are My Sunshine (Jimmie Davis cover)
19. Foreigner Suite excerpt
20. Wild World
21. The Devil Came From Kansas (Procol Harum cover)
22. Take This Hammer (Leadbelly cover)
23. Another Saturday Night (Sam Cooke cover)
24. Peace Train
25. Father and Son
Encore
26. Editing Floor Blues
27. Miles From Nowhere
28. Morning Has Broken
29. All Kinds of Roses
And about our seats…we were in the very last row of the very top balcony at the Chicago Theater (Row U!!) At first, we laughed and cried that they were the worst seats in the house. We were so far up, we were practically dripping off the ceiling and we didn’t even have theater seats! They were banquet chairs! But then we realized that we could stand up and dance around as we pleased because there wasn’t a row of chairs crammed behind us. And we never had to get up to let anyone pass through because the others in our row could walk behind our chairs. And we had all the leg room in the world. Not to mention we had a direct view of the stage and no one standing up in front of us could obscure it. So, while it would have been nice to be in the front row, we were pretty happy with the situation by the end.
I feel so lucky that we got to see Cat Stevens…I want to make live music a priority in 2015–it makes my heart sing!
P.S. Cat Stevens did a Tiny Desk Concert for NPR recently. I love the Tiny Desk and this one is so good!
On Saturday night we went to see Chris & Heather’s Everything BUT Country Calendar Show at FitzGeralds. Apparently the event is held every year and I’m mad I haven’t gone sooner–it was so much fun! The concert was built around Heather McAdams’s hand drawn calendar of twelve different musical acts, in this case, all kinds of music except country. Different local musicians covered songs for each act in the calendar and then they showed an old 16mm film of the original musicians.
Hosts Chris and Heather (shown above) were funny and smart. Their enthusiasm for the artists and songs was contagious. We went specifically to see our coworker Sharon Rutledge and her husband Scott Ligon play John Sebastian. (They are pictured at the top.) They were amazing! They sang “Didn’t Want to Have to Do It” and it was beautiful and melancholy and -sigh- just lovely. And then they followed the sadness up with “You Didn’t Have To Be So Nice” and they cheered us all up. 

Seeing the old films was part of the fun, too..crackling, old 16mm concert classics. (Pictured top to bottom: Rolling Stones, Peggy Lee and Slim Gaillard.)
One hilarious moment was when Robbie and Donna Fulks covered The Carpenters Top of the World and “Grover” sang the chorus.
One of my favorite songs from the night was The Modern Sounds singing Slim Gaillard’s “Potato Chips.” I had to include a clip above because the song is just plain fun. (And I swear it caused our post-concert french fry run to Sub-T.)
I’m so glad we went and I’m already hopeful that we can attend next year. Yay for live music and for friends with talent!
P.S. If you find yourself craving a classic cocktail, head to the SideBar where the bartenders know how to make a well-crafted cocktail with all of the right ingredients. I had a Martinez and a 20th Century that knocked my socks off!